Friday, November 30, 2012

How to Write a Budget - The Best Way

Are you trying to set yourself up on a budget so that your financial life is easier for you to manage? Do you want to know where your money needs to go each month so that you can plan correctly and take care of all your expenses? There are a few different theories when it comes to how to write a budget, but there is only one way to make sure you are not surprised by expenses you do not think about. Here is the correct way to write your budget.

You need to start with all of your expenses. This means you need to get a list of everything from your utility bills, mortgage or rent, car payment, insurance, to your license fees, car registration, oil changes, Christmas spending, birthday spending, and everything else in between. Anything that you spend money on in a years time needs to be included in your budget. If you forget about the quarterly or annual expenses you will be surprised by them and it will throw your budget off.

Next, you need to weigh your expenses against your income. Break any expenses that are not monthly down into monthly expenses to make it easier to work with. Then, you need to add them all up and subtract them from your income. The amount you have left is what you are allowed for savings, entertainment, and other things that are not necessities for your survival.

How to Write a Budget - The Best Way

If you are not happy with the amount that is left over, then it is time to look at your expenses closely and figure out what you can live without. You might have cable television just so you can watch one show a week. Maybe that show is offered on the internet for free. Maybe you barely ever watch your television and that is an expense you can throw out. There are many other needless expenses that are usually in our budgets. Take a close look and eliminate anything that is not necessary for you.

Last, you need to figure out how much you are willing to waste on entertainment each month. This is your nights out, your movie rentals, and other things we do for enjoyment. There are many ways to make cuts here and still have a great time. You also need to figure out how much to save for general savings, vacations, emergencies, and other things you might be saving money for. This is how to write a budget the correct way and make sure you do not leave anything out.

How to Write a Budget - The Best Way
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How To Write A Budget

Monday, November 26, 2012

The Big Six - Top 6 Major Film Studios in the Movie Business

When you watch a movie, whether it be at the cinema or in the comfort of your own home, it's seldom you actually think about where the movie was produced and how each film company secured the rights to the movie you're watching on the screen. The movie business is extremely competitive. The six major film companies discussed below comprise 90 percent of the US and Canadian box office revenue. If you're pondering a career in film, you may want to pay very close attention to the statistics below.

And while there are a few "mini-majors" still turning a profit in the industry (Lions Gate Entertainment and MGM for example), it's fairly difficult for film companies to stay afloat while competing with these highly successful empires.

Below you will find the six major film companies (also known as "The Big Six") and a brief description of each:

The Big Six - Top 6 Major Film Studios in the Movie Business

1. Warner Bros. Pictures. Comprising a whopping 19.7 percent of the US/Canadian market share (2007 figures), Warner Bros. Pictures is the biggest player in the film industry. Securing the rights to major films like Harry Potter, Superman, Batman, The Matrix and Star Wars have made Warner Bros. the No. 1 name in the business.

2. Paramount Pictures. With 15.5 percent of the US/Canadian market share (2007 figures), Paramount Pictures continues to be one of the most successful film production companies in the world. Star Trek, War of the Worlds, the Mission Impossible series, Transformers and Tropic Thunder are just a few of the popular films produced by Paramount Pictures.

3. Walt Disney. One of the most renowned film production companies in the history of the business, Walt Disney now holds 15.3 percent of the US/Canadian market share (2007 figures). With highly successful movies like Pirates of the Caribbean, National Treasure, Meet the Robinsons and Enchanted, there's no doubt that Disney will continue to play a key role in the industry for years to come.

4. Columbia Pictures. Comprising 12.9 percent of the US/Canadian market share (2007 figures), Columbia Pictures remains a big player in the business. Some of this company's recent successes include Casino Royale, The Da Vinci Code, the Spider-Man series and Step Brothers.

5. Universal Studios. 12.2 percent of the US/Canadian market share (2007 figures) belongs to Universal Studios, which continues to make millions for the film industry. With major hits like the Bourne series (Bourne Identity, Bourne Supremacy and Bourne Ultimatum), The American Pie series, Knocked Up, American Gangster and The Incredible Hulk, it's very clear that Universal Studios knows what it takes to make money in this industry.

6. 20th Century Fox. Also known as "Twentieth Century Fox," this highly successful movie production company makes up 11.9 percent of the US/Canadian market share (2007 figures). Some of the biggest and most successful movies from this empire include the X-Men series, Mr. and Mrs. Smith, Star Wars Episodes II and III, and the Fantastic Four.

Once again, if you're looking for a career in the film industry, the six companies listed above are the cream of the crop. If you have the opportunity to work for one of these companies, we wouldn't suggest passing it up.

The Big Six - Top 6 Major Film Studios in the Movie Business
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Selena Valoure is a huge fan of entertainment and is intrigued to learn more about film production. She knows how hard it is to make it in the entertainment business so, in her spare time, she shares what she's learned over the years with the readers of DiscoverFame.com.

Thursday, November 22, 2012

Comedy Play Scripts

Comedy play scripts have the ability to bring laughter, joy, and entertainment to viewers. Be it for the stage, television or the movies, scripts of this genre invariably have a happy ending, leaving the audience feeling pleasantly satisfied long after they leave their seats. It is exactly this attribute that has added to the popularity of comedy play scripts. Greater importance is bestowed upon comical shows because people in the grip of turbulent times welcome a pleasant change in the form of humor and mirth. They can shed their worries for a while and relax mentally as they watch the amusement light heatedly. Comedies act as a restorative tonic that drenches viewers with joy and a sense of exhilaration. Writing a comedy script requires an equal ratio of a flair for creative writing and an inborn ability to regale others through wit and humor. Conflating the two, comedy play scripts have become a favorite of the masses worldwide.

Comedy play scripts vary based on their intended medium. When written for the movies or the TV, they are always written in the present tense and follow punctilious formatting style, without mentioning any detailed instructions for the actors, directors or the crew to follow. Writing for the stage is less formal with hardly any stringent rules to be adhered to, making it a lot less taxing for the author. Precedence is given to verbosity in stage play scripts unlike funny movies where the visual effect is of predominant importance. Generally, comedy play scripts are short, crisp and frivolous. The sight of characters falling over, slipshod way of dressing, misinterpreting words, situations going berserk, solecism through exchange of places, ludicrous remarks, etc. all add to the vivacity of the show. Funny scripts are imbued with inane idiocies that elicit laughter from spectators.

For most writers, comedy play scripts are difficult to write because the sense of humor should be versatile and change to keep viewers' interest. A good comedy script can be very lucrative for the writer, director, and producer. This is because comedy scripts have a high repeat value; people wants to see the movie again and again, which make them more profitable. Before you write a sitcom, you should learn the basics of script writing within this genre. Sitcoms writers must learn the art of constructing a story, writing funny dialogues, and developing hilarious characters. Hiring a comedy script ghostwriter to edit or build upon your ideas can be quite helpful.

Comedy Play Scripts
Comedy Play Scripts
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To hire one of our professional screenwriters for your script, visit our screenwriting website:

http://www.ScreenwritersForHire.Com/ or call John Halasz at (716) 579-5984

Monday, November 19, 2012

Screenwriting - Why Turning a Book Into a Movie Is Tougher Than Turning a Movie Into a Book

One of my screenwriting Twitter followers asked me the question: Which is harder-turning a book into a screenplay or turning a screenplay into a book? Without any hesitation, I responded that it' s much more difficult to turn a book into a movie.

For one thing, you have much less room to tell the story when screenwriting. A novel can be 80,000 - 100,000 words and more, and take up hundreds of pages. A screenplay must, with very few exceptions, run 90 - 120 pages, with lots of white space on the pages. Average word count is somewhere around 20,000 - 25,000 words.

The reason there is a strict page count when screenwriting is that the rule of thumb when shooting a movie is that one screenplay page equals one minute of time on the screen. It doesn't always work out that way but you still need to be very careful with your page count.

Screenwriting - Why Turning a Book Into a Movie Is Tougher Than Turning a Movie Into a Book

So you can see the problem from the outset. Books have much more room to develop their stories and themes. They can spend a lot of time describing a scene or a character, and delve deeply into their backstory. Although it is important to keep an eye on page count because of production costs and marketing, novels have less exacting word counts.

Novels can be more flexible. They allow the writer to spend time on what interests them most. Novels also allow authors to have fun with the language, to show off their poetic flair, if they want to. For many people, including me, part of the joy of reading a great novel is the writing style of some of my favorite authors.

Novels can reveal what a character is thinking. In a screenplay, you can only write what can be seen and heard on the screen. Sure, there can be voice overs, but most producers and directors prefer not to use them unless they feel it is absolutely necessary for the story.

Screenwriting must be minimalist. Character descriptions tend to be very general, in order to allow for more casting options. Also, movie dialogue must be much shorter. Every sentence and every word must move the story forward in some way.

Novels have room for several subplots. The majority of movies only have one or two, if any. There's simply not enough time for them to develop in about 90 minutes.

Another reason that the screenwriting process is so demanding is that the audience only has a quick moment to get all they can form each scene. When people read a book, they can go back a few pages if something is not clear. People can't do that in a movie theater.

In novels, words tell us the story. In movies, images, along with dialogue, tell the story, but images are preeminent.

On the other hand, for the reasons already mentioned, turning a screenplay into a book is a much easier process. The writer can use all those ideas, characters and subplots he or she had to discard because of limited space and time constraints. They can have more fun with the language and more easily reveal the thoughts, emotions and motivations of their characters. If your novel is a few thousand words more than your editor asked for, you can probably get away with it. But if a screenplay is too short or long, it gets thrown away without even being read.

One challenge that a screenwriter may encounter when turning a screenplay into a book is that they now have to be more specific with details of locations and the visual appearance of their characters. So, although writing a novel is not easy, it is easier that writing a screenplay.

Screenwriting - Why Turning a Book Into a Movie Is Tougher Than Turning a Movie Into a Book
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Danek S. Kaus is a produced screenwriter of an award-winning feature film. He has two movies in development and three more of his screenplays have been optioned. Check out his his screenwriting site for more article on screenwriting. You can also ask for his Free Ebook screenwriting for authors

Monday, November 12, 2012

Screen Printing Business-How To Start A Small Home Business Printing T-Shirts

Have you thought about starting a screen printing business? It costs almost nothing to start a t-shirt printing business at home. I read about one guy who started a screen printing business with almost nothing. He made the frames with used lumber, and used fabric from an old wedding dress for the screens. He printed and sold signs. He also printed magnets (like what you see on car doors advertising a company), shirts, and baseball caps. He actually designed and built his own 4 color screen printing press. I bought the plans for his 4 color screen printing press on eBay. The plans were hard to follow, but I managed to build my own modified version of his press.

At one point I seriously looked at starting my own screen printing business. I ultimately decided that there were other things I would rather do. So I mainly screen print t-shirts for fun. But it wouldn't be that hard, or expensive to get into the screen printing business. It would cost under 0 to buy the stuff to screen print t-shirts. The absolute minimum stuff you would need would be a frame, photo emulsion, a cheap light, ink, a squeegee, masking tape, and t-shirts. For another hundred, you could buy a single shirt screen printing press. Or if you want to build your own press.

And you can upgrade your equipment as your business grows. Screen printing a t-shirt only uses pennies worth of ink for each shirt. You can get blank shirts on sale at Michaels for -4 each. Or you can buy them in quantity for less. You can buy box lots of t-shirts on eBay. You can run a screen printing business out of your garage, or the basement of your home. If you run a small shop, you will probably be okay. If you start to get bigger, then you might need to check with your local government on zoning laws.
What I have seen many people do is design and print shirts, and then sell them on eBay. If that is what you are interested in doing, look on eBay and find what kind of shirts people are buying. Are they buying dog shirts, cat shirts, karate shirts, etc. Find which shirts are selling. Develop your own original artwork, print a few shirts, and try listing them on eBay. So you might spend a few bucks per shirt, it only costs pennies to print them, and then you might be able to sell them on eBay for - on eBay.

Screen Printing Business-How To Start A Small Home Business Printing T-Shirts

Some other screen printing business opportunities would be local rock bands, baseball teams, family reunions, etc. If you know someone who needs t-shirts, offer your services and make a small profit. It is important that you do a good quality job. After you have done some jobs, you will likely get referred business by word of mouth. You can always get some business cards printed up, and post them on bulletin boards in your area advertising custom printed t-shirts.

Screen Printing Business-How To Start A Small Home Business Printing T-Shirts
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Rob Jacob has years of screen printing experience. For articles and information about screen printing t-shirts, visit: http://www.screen-printing-t-shirts.com

Wednesday, November 7, 2012

About The Hollywood Film Industry

The Hollywood film industry is an amalgamation of technological and commercial institutions of filmmaking. It generally consists of film production companies, film studios, cinematography, film production, screenwriting, pre-production, post production, film festivals, actors, directors, and film personnel.

Today the Hollywood film industry is positioned across the world. In this 21st century, the major business centers of filmmaking are concentrated in United States, India and China. Hollywood is a district in Los Angeles, California that is situated in west- northwest of Downtown Los Angeles. Due to its fame and cultural individuality of movie studios and movie stars, the word Hollywood is often used as a connotation for the cinema of United States which is popularly known as the Hollywood film Industry.

The history of the Hollywood Film Industry probably started in the hands of D.W. Griffith when the Biograph Company sent him and his crew. They started filming on a vacant lot in downtown Los Angeles in early 1910. Soon the company decided to explore new territories to find that the region was quite friendly and enjoyable for shooting.

About The Hollywood Film Industry

Therefore, Griffith filmed the first ever movie shot in Hollywood. The title of the film was "In Old California". The movie company then stayed there for months to shoot several of their films and returned to New York.

Starting in 1913, this wonderful place came into the limelight when moviemakers started heading to the west. The first feature film made in Hollywood was called 'The Squaw Man" This resulted in the birth of Hollywood Film Industry.

Nestor Studio, founded in 1911 was the first movie studio in Hollywood. Fifteen other small studios also settled in Hollywood. Gradually, Hollywood came to be so powerfully associated with the film industry that this term began to be used as a synonym for the entire industry.

During the time period of the first World War, Hollywood become the movie capital of the world. Previously mentioned, Nester studio became the Hollywood Digital Laboratory. By the year 1950, music recording studios and offices began moving to Hollywood, though much of the movie industry remained there.

The world famous Hollywood Walk of Fame was constructed in the year 1958 and the first star was placed in 1960. The Walk of Fame was placed as a tribute to the artists working in the entertainment industry. It is embedded with more than 2,000 five pointed stars featuring the names of celebrities, as well as fictional characters.

Self-financing Hollywood Historic Trust maintains this Walk of Fame. The first star to receive this honor was Joanne Woodward. The artist received a star based on career and lifetime achievements in motion pictures, live theatres, radio, television, and music.

The famous Hollywood symbol, originally read Hollywoodland, was constructed in the year 1923 as an advertisement of a new housing development. The sign was left to worsen until in 1949 the Hollywood Chamber of Commerce repaired and removed the last four letters.

The sign located at Mount Lee, is now a registered trademark hence cannot be used without the permission of the Chamber of Commerce.

The Hollywood Film Industry can be called the Mecca of film industries. Though geographically it is located in Hollywood, it resides in the hearts of millions of film lovers and film related personalities. Hollywood remains and will remain a king, without a scepter.

About The Hollywood Film Industry
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Victor Epand is an expert consultant for used DVDs, used movies, and used car stereos. You can find the best marketplace for used DVDs, used movies, and used car stereos at these sites for used DVDs, used movies, and Hollywood Film Industry, movies.

Monday, November 5, 2012

Screenwriting - The Lone Wolf Story Structure Template

Story Structure Templates are the fastest way to write screenplays. One of the most well known and often used templates, which goes beyond three and four act structure, is the Hero's Journey. Arguably, all stories are a variation of this template and the Lone Wolf is one of the most successful of those variations.

The Lone Wolf template is best explained with a combination of Arthurian Legend archetypes as well as Hero's Journey archetypes. A hero journeys to another land to discover the cause behind the death of blood relatives. A battle with Demon Kings, Enemy Knights, betrayal of an Oracle, Mentors, Shape Shifters and a growing set of revelations result in a Final Conflict and eventual catharsis. This hero can also be considered an anti-hero and this template allows for his final death with the inclusion of a Dark Knight.

The Lone Wolf story structure template consists of 56 sequences, which translates to approximately 2 pages per sequence to complete a full length screenplay. The first eleven sequences include:

Screenwriting - The Lone Wolf Story Structure Template

1) The (developed) Hero interacts with a Demon King (1) and his Queen. There is a deep, forbidden relationship (maybe sexual) between the Hero and Queen, however, the Demon King is unaware of it and would disapprove if he knew. The Queen is uncomfortable with this situation but the Hero must keep it secret or similar, due to his dependent relationship with the Demon King, the Demon King's strength or that the Hero is in fact a Knight in the service of the Demon King.

2) The Hero feels the need to embark on an adventure, to discover the cause of a recent tragic event, where a family member died - he suspects that the relative was murdered. The Demon King warns the Hero not to embark on the adventure; references to the dangerous nature of the adventure and the land therein; references to the dangerous nature of antagonists he will encounter there; references to the dangerous nature of the hero himself; references to the hero's status. Reasons may be given as to why the Hero must embark on the adventure. The Demon King may forbid the Hero to travel to the adventure; he may not desire relations with that Kingdom jeopardised.

3) Hero journeys to the land of the adventure. En route, we learn more of his character through his behaviour.

4) Hero arrives at the land of the adventure and makes his way to a social arena, usually an inn, which is full of strange and unfamiliar creatures. The (high) status of the Hero in this place is established. The Hero has arranged a meeting with a Mentor, who was familiar with the deceased and the events surrounding the death. However, the Mentor does not appear. The Hero (may communicate with the Mentor) is suspicious and learns somehow that the Mentor is not interested in this interaction.

5) The Hero enters the home or territory of the deceased relative, with special knowledge gained through some past experience. It is a dark and unwelcoming place. The Hero feels he is being watched. He finds a Magical Aid there. There are reminders of the blood relative's death, perhaps even the body of the relative waiting to undergo a death ceremony. The Hero demonstrates empathy and a closeness with the deceased.

6) The Hero finds a Safe Haven, where he meets an Ally (1). The Hero explains the rules and may have to buy the Ally's allegiance.

7) We learn more of the Hero's character through his behaviour.

8) The Hero investigates the death, by asking specialists, to see if it was caused by some foul play. There is no indication of foul play.

9) The Hero meets the close relatives of the deceased - who are also related to him. The Hero queries them of the circumstances of the death. Indications as to how he died are given.

10) The Hero and the burial ceremony are being watched.

11) The Hero empathises with the relatives of the deceased and offers to provide support. He mentions his plans to marry the Queen, who is of course the property of Demon King (1) -this also implies a coming conflict between Hero and Demon King (1).

The Hero's Journey and Lone Wolf story structure templates can be found at http://www.managing-creativity.com.

You can also receive a regular, free newsletter by entering your email address at this site.

Kal Bishop, MBA

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You are free to reproduce this article as long as no changes are made and the author's name and site URL are retained.

Screenwriting - The Lone Wolf Story Structure Template
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Kal Bishop is a management consultant based in London, UK. He has consulted in the visual media and software industries and for clients such as Toshiba and Transport for London. He has led Improv, creativity and innovation workshops, exhibited artwork in San Francisco, Los Angeles and London and written a number of screenplays. He is a passionate traveller. He can be reached on http://www.managing-creativity.com.